Gallery - February 2021

Gallery - February 2021

February 2, 2021

Buddan.jpg

Raneece Buddan

Artist Statement

My process is based on my research on traditional and contemporary art from each culture. I try to explore different processes from each as my foundation. The goal of each piece is to learn more about myself throughout the process.. 


About the Artist

Raneece’s work focuses on her cultural identity as a Jamaican woman of African and East Indian descent. She depicts the merging of both cultures with the use of fabric from each. The fabric is used as an additional identifier for who she is, rather than her skin tone. She discovers the figure within the grains of the wood adding the fabric and elements of realism.

For more, visit www.raneecebuddan.com

Gallery - December 2020

Breanna Barrington - Jam Today

Breanna Barrington, Lift Off, 12 x 16 inches, mixed media on canvas

Breanna Barrington, Lift Off, 12 x 16 inches, mixed media on canvas

This December, we welcome Breanna Barrington’s Jam Today to The Carrot Gallery. The exhibition will be showing from December 1st to 24th, 2020. All artwork is available for sale. Help support local this holiday season!

Artist Statement

The Queen said to Alice; “The rule is, jam to-morrow and jam yesterday – but never jam to-day.” Well I say, Jam can be lots of things if you get creative about it… so why not to-day? This body of work explores themes of making do with what you’ve got; whether it be time, friends, ideas, or little scraps of paper. 


About the Artist

Breanna Barrington is a multimedia artist based in Amiskwaciy-Wâskahikan ᐊᒥᐢᑿᒌᐚᐢᑲᐦᐃᑲᐣ (Edmonton) on Treaty 6 territory - Land that has been a historic meeting place for many people, across deep time. She holds a BFA from the UofA (2018) and has shown at multiple venues, from the United Nations  Intergovernmental Panel on Climate Change, to the Alberta Council for Ukrainian Arts. Through painting, drawing, and bricolage, she works to arrange visual metaphors which explore the relationship between modern urbanity and the not-so-distant past. With recycling philosophy and cultural identity at the backbone of her practice; Breanna creates work to invoke whimsical awareness and an ethos of care around our shared environmental heritage.

For more, visit www.breannabarrington.com

Closed for Remembrance Day

CarrotSigns_RemembranceDay_ClosureSquare.jpg

In this time of remembrance, we honour and thank our veterans for the courage and sacrifices they have made for our freedoms. We hope that this will be a time of rest and reflection for our team. We’ll see you again on November 12!

Gallery - November 2020

Hollis Hunter - Touch Starved: A Masculine Mass Media Series

Hollis Hunter, Love Seat, 19 x 24 inches, oil on canvas

Hollis Hunter, Love Seat, 19 x 24 inches, oil on canvas

This November, we welcome local artist, Hollis Hunter, to The Carrot Gallery. This will be his first exhibition since graduating from the BFA program at the University of Alberta.

Artist Statement

Hollis Hunter considers figurative painting to be a strong medium for exploring the politics of trans and queer identity, bodies, and representation. In this series, each painting is based on a film still, magazine clipping, or printed photograph. Hunter references these mass media images of masculine-coded bodies to visually deconstruct social ideas about sex, gender, and sexuality. Abstract figurative painting challenges the perceived “authenticity” of photographs and addresses assumptions about what certain bodies or identities look like. Hunter adapts these mainstream images of “men” into his own narrative: feelings of vulnerability, and a search for intimacy as a man who is queer and transgender.


About the Artist

Hollis Hunter (he/him) is a recent graduate of the BFA program at the University of Alberta, and is working as a visual artist in amiskwaciy-wâskahikan (Edmonton). Hunter is passionate about activist art involving transgender rights and visibility. Within his practice, Hunter aims to address the challenges of LGBTQ+ representation through personal narratives. Transfeminist activism paired with visual arts is powerful for navigating our precarious socio-political climate.

For more of Hollis Hunter’s work visit Instagram @ poisondartist.

Call to Upholstery Artists

Showcase the art and craft of upholstery and transform this victorian sofa into a unique centrepiece for The Carrot Community Coffeehouse. This is a unique opportunity to create a one-of-a-kind functional centrepiece for The Carrot, show off your craft and skills, and have fun with design – funky is appropriate.

Requirements & Support:

  • your own space to work on the sofa starting November

  • $500 towards supply costs from The Carrot if needed

If you’re interested, please contact strategy@artsontheave.org.

IMG_7843.JPG
IMG_7841.jpg


Gallery - October 2020

Pam Baergen and Rick Rogers - Home, Home on the Brink

BaergenRogers - Cliff Sitters - Full.jpg

This October, we welcome local artists, Pam Baergen and Rick Rogers to The Carrot Art Gallery.

Artists Statement

It began with a conversation. We talked about the scarcity of clear choices while navigating our new normals. We thought of people being 'out of their element,' and adapting to otherness that they aren’t ready for. We talked about the edges of being human...what are we willing to change, or lose, to survive as a species? We imagined other worlds. We discussed how gains in resilience can come at the price of a loss of natural habitat. We talked about control. We discussed how distance can create otherness and lead to adversity. We saw value in visually exploring these concepts together, and so we agreed to collaborate at each stage of the creative process as safely as we could. Face masks were donned, hand sanitizer became as necessary a tool as our brushes and blades, and we took advantage of online tools like Pinterest and videoconferencing.

Even the show title was collaborative. It started with Old Ways for New Days as a proposed title and next came many ideas: Resettle, Remix; Evolution of the Commonwealth; Moving Forward, Standing Still and many more. When we discussed these we realized we wanted the concept of an alien-ness or change to be included in the title. This resulted in The Uncertain Frontier and Strange New Worlds, which triggered the words edge, verge, threshold and brink, and the title Home on the Brink. The addition of sentimentality and idealism in the form of a traditional song resulted in the exhibition title Home, Home on the Brink, an interesting shift of the same underlying theme as the original working title, but more evocative. And this title-finding process was an early indicator of success in our collaboration.

About the Artists

Pam Baergen obtained a Fine Art Diploma from Grant MacEwan University in 2005. During her studies, Baergen was exposed to a wide range of contemporary artists and artmaking practices, which inspired her to begin exploring visual art's communicative power and potential beyond reproducing a convincing image. She was compelled to learn more about the art that came before her - who made what, and why? What effect did it have? Enrolling in an art history program seemed like a logical next-step. In 2008, Pam graduated from the University of Alberta with a Bachelor of Arts Degree with distinction, majoring in the History of Art, Design, and Visual Culture, and minoring in Christian Theology. To see more of Baergen’s work, visit  www.livingportraits.ca

Rick Rogers’ background as a systems architect and scientist has been leveraged to experiment with various media, researching existing techniques and developing his own, and evolving his own processes for creating art. In Rogers’ words, “Science and art are never so far apart as our modern culture would make them seem. As an experimental artist, I see these ‘opposing’ bodies of knowledge as deeply intertwingled. The aesthetics and science of composition, the theoretical and practical pursuit of a deep understanding of the interaction of textures, and the physics and chemistry of paint manipulation are three areas in which I am particularly involved. My work is inspired as often by a scientific principle or an experimental eureka moment as it is by an aesthetic vision.” To see more of Rogers’ work, visit www.rickrogers.art

OctGallery_TableTopper_V1.png

Window Gallery - August 2020

Genevieve Ongaro - Promises

Carrot-WindowGallery-August_Social_V3.jpg

We welcome Genevieve Ongaro to The Carrot Window Gallery.

“The main question behind my motivation for these works is what is the value of a promise, if not kept? What does it mean to make a promise, and why do we do it? The landscapes that I have chosen are metaphors for the in- transience of the world around us: constantly changing and shifting, yet permanent and stable. These hazy scenes are meant to evoke a sense of timelessness, and the sea is a representation of nature’s constant inconstancy, ever-changing and unpredictable, whereas the knots, built up by multitudes of tiny strokes or fibres at the mercy of time, space, and entropy, are symbols of human relationships and the promises we make. Creating the knot visually by means of small, intricate lines is an important part of how I want to illustrate these objects as entities that are both binding and incredibly fragile, delicate and at risk of unravelling.

The tension between the subject and its environment is meant to illustrate the question of whether fabrications of the human mind can in fact exist within the transience of the ubiquitous natural world. Do we make promises in an attempt to reach for transcendence from our impermanent lives? To create something that is larger than ourselves, and perhaps more beautiful and everlasting...which will live on beyond our short lives.”

Gallery - August 2020

Norma Callicott - Summer Dreams

Norma Callicott, Green River I, 6 x 8 inches, paper collage with resin

Norma Callicott, Green River I, 6 x 8 inches, paper collage with resin

We welcome Norma Callicott to The Carrot Gallery.

Norma Callicott started her artistic journey over 20 years ago working in oils, acrylics, and pastel. The artist started exploring various mixed mediums and processes since retiring in 2016. Callicott fell in love with working with altered paper to create paper collage. The artist alters the pages of discarded magazines by melting the ink with a solution then drying the pages on a clothesline on bright summer days. The result is an interesting array of texture and pattern, some of which the artist manipulates to the desired result. As Callicott sits at the studio table, the pages in front of her speak to and inspire her. Memories and emotion come out, each telling a unique story. The use of recycled materials and Canadian made birch panel are important and meaningful elements of the work.

Gallery - July 2020

Michelle Paterok - I Woke Up, It Was a Dream

Carrot-WindowGallery-Square_JulyV2.jpg

We are pleased to announce that Michelle Paterok will be the featured artist of the July Carrot Gallery. Paterok’s recent work in painting draws upon photographs as a means of tracing memory. These photographs, taken in rural Japan where the artist lived for two years, are used as a starting point for improvisation, allowing for abstraction and reinterpretation of the images. Through altering the original images, the artist aims to give an ephemeral experience a kind of permanence, reconfiguring these snapshots to reflect how the original place may be experienced and subsequently remembered.

Learn more about Michelle Paterok’s works here.

Dine-in Soft Opening June 23

COVID-19 Signage V1.png

The Carrot will be open for dine-in again starting Tuesday, June 23! To ensure your safety, our team will be wearing masks when serving you, and all surfaces will be disinfected after each use. We’ve also expanded our patio seating to give your more seating options. Please observe all signs and maintain a safe physical distance from others.

We can’t wait to see everyone again!

Hours
Tuesday to Saturday: 10am - 5pm
Sunday: noon - 5pm

 Easter (ART) House Hunt 

Come by the Carrot’s window and take a good look at our original art houses in person. 

Start your neighbourhood search and try to identify each house! Write the address for your best guess under each on this sheet.

 Hint: All the houses are located near Alberta Avenue from 112 Ave to 120 Ave and 92 St to 96 St. Some of the titles for the pieces include hints of where the house is located so be sure to take a look at the labels!

HOW TO PLAY: 

  1. Submit your sheet by email to: coordinator@thecarrot.ca (You can take a photo with your phone, or scan it). 

  2. The person to get the most correct will win a prize! 

All Artwork © Robin Light

GOOD LUCK! ENJOY THE FRESH AIR AND REMEMBER TO PRACTICE SAFE PHYSICAL DISTANCING 

IMG-0629.jpg

It Takes A Village

Join us to ensure no family or child goes hungry during this Covid-19 crisis. With schools closing and unemployment rising due to this national emergency, the need for accessible food is growing exponentially.
It takes a village to raise a child and it’s up to us as a community to come together and help those in need.

Whether you can donate a little or a lot, your contribution will have an incredible impact!

Donations can be made through ATB Cares:
https://atbcares.benevity.org/communi…/…/124-852990159RR0001

ATB will match all donations 50% up to $1000 per donation for the month of April.

AOTA will use donations to buy food and necessities to supplement families and community members' food resources in the Alberta Avenue district during this uncertain time.

Extraordinary times = Extraordinary helpers

#AOTA #ATBCares #community

Carrot-ExtraordinaryHelpers.jpg

Due to COVID-19 our storefront is on pause, but we're online - please join us!

Hello Friends,

Given the most recent COVID-19 updates, The Carrot hours will be suspending (we’re putting the Carrot on pause).

The power of the arts and community is amazingly strong! We're all in this together. The art revolution continues on 118 Avenue. Please follow us daily for social media for art, laughter, daily news and updates. Our staff is working hard to keep our community connected through our social media! Remember to walk on the sunny side of the street, and join us online.

We are checking messages, so if you need to contact us, you may leave a message at (780) 471 - 1580 or email us at info@artsontheave.org

Take care friends,

Carrot Management

Carrot-Closure-Social2-Pause.jpg

Gallery - November and December 2019

Yvonne DuBourdieu & Agata Garbowska - Impermanence of Things Remembered

We are pleased to announce that Yvonne DuBourdieu and Agata Garbowska will be closing the year off as featured artists of The Carrot Gallery. The Opening Reception will be on November 14th from 7 - 9 PM. Pop in for light refreshments and to meet the artists!

Impermanence of Things Remembered is a dual exhibition featuring landscape paintings that explore ideas of imperfection and impermanence.


Yvonne DuBourdieu, On This Day Clearly Seen, 36” x 48”, Oil on canvas

Yvonne DuBourdieu, On This Day Clearly Seen, 36” x 48”, Oil on canvas

About the Artists

Yvonne DuBourdieu has been a documentary filmmaker for most of her life, but now splits her time behind the camera and in the studio. DuBourdieu is an emerging contemporary expressionist painter working mostly in oil. She blends marks of realism, impressionism and abstraction to the subjects that populate her works: landscapes, birds, animals and humans. Always interested in things ‘other,’ she is continually exploring a sense of place and themes of belonging, often embracing the ‘outsider’ in an unexpected world of illusory spaces or imagined realms.

Each work in DuBourdieu’s collection invokes a memory of place, set in landscapes of invention, infused with an energy that comes with reliving or reimagining a moment through memory. These recollections have been roused and pieced together through looking back at photographs from her past and using the figurative imagery as source material for the paintings. The process of looking back can spark a flood of emotions that set off a chain reaction, unleashing seemingly disparate thoughts and feeding into one another till the connective emotions drift in and out of the imperfect, impermanence of things remembered.

To learn more about DuBourdieu’s work, visit https://www.yvonnedubourdieu.ca/

Agata Garbowska, These Fragments I have Shored Against My Ruins II, 24” x 36”, Oil on board, vinyl, and plexiglass

Agata Garbowska, These Fragments I have Shored Against My Ruins II, 24” x 36”, Oil on board, vinyl, and plexiglass

Agata Garbowska is a painter, printmaker and frequent lurker on the Edmonton arts scene. Her most recent body of work is an exploration of spaces in flux. These spaces are not inhabited, but suggest human presence with select objects and remnants. Panel and plexiglass, materials often used in the construction of everyday space, are combined with painting, collage, and sculpture, to construct pieces that echo with human presence. These pieces are informed by our ongoing ecological disaster—an attempt to reckon with the catastrophic consequences of our comfortable everyday domesticity.

To learn more about Garbowska’s work, visit https://agatagarbowska.weebly.com/

Carrot-ArtOpening-NovDec2019-FBBanner.jpg

Gallery - October 2019

Jay Bigam - Elements

Screen Shot 2019-09-26 at 3.43.15 PM.png

We are pleased to announce that Jay Bigam is October's featured artist of The Carrot Gallery! The Opening Reception will be on October 3rd from 7 - 9 PM. Pop in to meet the artist!

Bigam's exhibition, "Elements," will be showing at The Carrot Gallery from October 1st to November 2nd. His pieces are produced using oil paints, solvents, sawdust, metallic spray paint..and fire!

About the Artist

Jay is a self-taught artist who paints modern impressionist landscapes and skyscapes, with a special emphasis on severe weather in Alberta. Known for his use of colour and movement, his paintings are a reflection of his love of nature and science. Since 2016, he has been involved in the Alberta storm chaser community and has been basing much of his work on weather seen while storm chasing.

In 2016, Jay was a nominee in the Alberta Foundation for the Arts 25 Influential Alberta Artists awards.

Jay loves the experience of producing live art and interacting with the public while doing so. He has made art at numerous festivals and venues

To learn more about Bigam's work, visit earthskyart.ca.


Carrot-ArtOpening-Oct2019-FBBanner.jpg


Gallery - September 2019

Jill Thomson - Urban Gardens

Jill Thomson, Flora, 60x 90”, Oil on canvas

Jill Thomson, Flora, 60x 90”, Oil on canvas

For the month of September, we are welcoming local artist Jill Thomson to The Carrot Art Gallery. Come in from September 3–28th, 2019 and see familiar neighbourhood scapes and urban flora.

On September 26th, 2019, The Carrot will be hosting the Closing Reception of Jill Thomson's "Urban Gardens." Join us to bid a fond adieu to the whispering leaves and sweet scents of our summer wildflowers.

About the Artist

Jill Thomson's artwork evokes her personal history of a small town/prairie childhood, an urban Montreal young adulthood and a settled life as artist and mother of three in Edmonton. Her rich colourful palette and complex compositions celebrate a creative life in cities with generous front porches, cafes, bookstores, bicycle paths, gardens and ravines.

You can see more of Jill Thomson’s work here: https://jillthomson.com/home.html

Carrot-ArtOpening-Sep2019-FB.jpg